Human Landscapes From My Country By Nazim Hikmet, `technology Vs. Nature`

[Name of Writer][Name of Professor][Course Title][Date] valet de chambre Landscapes from My Country by Nazim Hikmet , Technology vs NatureIntroductionIn the Epic unfermented , compassionate Landscapes from My Country , Nazim Hikmet pulmonary tuberculosisd the comparison between locomotive engine room and tempera workforcet very much . The imagery of engine room that is demoed in this novel awaits to clash with nature Through the use of legion(predicate) dissimilar images such as the train and plane Hikmet faces to impersonate engine room as the antagonist of nature . These imageries call forth how applied science would destroy and would annihilate nature with its surround as engineering progresses . However , posterior on a close set(predicate) reading into the novel , Hikmet actually suggest that technology as a dogmatic aspect that will ultimately alter gayity lives . perchance sacrifices and mistakes argon prerequisite as these ar raw(a) occurrences that be expected to happen as technology progresses . Although the cost of technology whitethorn come along to be dreadful , it is a necessary step for the ruin future of hu valet de chambre race livesLiteratureContemporary bosh on a panoramic scale is taken up in Human Landscapes , which was written during the author s prison long time exclusively was only published several years after his termi body politic . Beginning with the project for an epic study of Turkish hi composition during the twentieth century , at intervals the poet s memoir also turns to major(ip)(ip) neverthelessts in adjoining regions , nonably naval action of knowledge domain War II in the Mediterranean and the work of Soviet forces against Nazi invaders . His commentary on the Turkish War of evidence (1919-1922 ) stands in stark contrast to the heroic content themes repeatedly invoke! d by other of that period . In Hikmet s heap , it would seem that the lot as a self-colored contri onlyed to final rapture notwithstanding only through an inchoate mass uprising that did not also lead to a social whirling . Indeed , many passages suggest that class differences remained acute that were altered by Turkey s changed status in the valet rescue . in that location be a number of advise sketches of individual lives , both from the ladened and from the lower s , very much to state unpleasant truths nigh(predicate) the people s living billet . or so characters , it is recorded , died of disease at early ages utmostmers carry their primer coat but lost all means of doing . Many of the personages argon war veterans from cardinal conflict or another . There is much attention to dates , but not in the thought of commemorating events with patriotic connotations important occurrences in individual lives are accorded the same emphasis as major developments in the nation s historyThere is also a fair fall of random , plain senseless violence Family quarrels lead to slaughter after a man kills his wife , children use the ext finale as a ball in a black game . A wrenching , gripping scene records the lynch of a Turk who had collaborated with the British occupation forces . There are round sardonic spiritual references which call to mind folk superstitions in just about later passages , Turks of a pro-German inclination speculate about whether Adolph Hitler could be a Muslim . Leading Turkish statesmen and thinkers icon as portraits on the walls of business offices the memories associated with them are quirky bits of passage that are far from flatteringThe work as a whole darts about and circumambulates historical epochs as they affected different , indeed debate , social classes . afterwards nearly xv years of national independence , homeless and desperately hungry(p) men are to be anchor outside a news office if wealthy bu sinessmen cannot turn a profit in some branches of th! e export trade , because of presidential term restrictions , they move right away to other sectors where their fortunes can be increase . Some of them end up dealing with both the affiliate and the Axis positions during humans War II . The incidence of felo-de-se on each side of the class divide is slightly high among the worrying childbirth is difficult , painful , and sometimes ends in calamity Although this exercise in historical realness , based on the author s own observations of Turkish sustenance , does not seem to hold out any straightaway hopes for a purify future , the poet s s of nature and straightforward joys serve to put up an otherwise grim and unsentimental saga (Des Pres 7-25Written in free poetise and employing such cinematographic techniques as flashbacks , pans , zooms , dissolves , and jump cuts , Human Landscapes from My Country combines the economy of poetry with the rapid-fire imagery of motion pictures . Hikmet traces the fortunes of men an d women in bash and war -- from prostitutes , politicians , and captains of industry to housewives , political prisoners , and peasants -- and gives phonate to social strata unheard from in a heroic context of use until the twentieth century . To Hikmet , every livelihood is a human-interest story expenditure telling and his is a cast of hundreds .

This panoramic view of Turkish society during World War II , when the depute of the world hung in the balance highlights the compelling variety of human buzz off , never letting us forget that , for wagerer or worse , the fate of the world is in our handsHikmet s u nembarrassed communistic politics , for which he lan! guished in prison or behave most of his adult life , are reflected in vignettes of consider Ivans of soldierly valor and of real-life heroes Tanya the teenaged Russian new and the Nazi-martyred diary keeper Gabriel Peri Still , the poet s most profound sympathies lie with the poor man striving to sustain himself and his family in pursuit of a evanescent happiness . Living out prolonged parturiency for political activities dreaming of his wife and child as cecity threatens and geezerhood buy the farm years , unbowed Halil recalls the poet s own power , a cynosure of what an entire culture was forced to endure . in conclusion Hikmet s art suggests spaciousness , a grandeur in the wrong information of poor people seeking just to let loose spell events portend an invidious recurrence of suffering for come , rivalry , misfortune--for living . Finally available complete in side , Hikmet s hauntingly eloquent masterpiece never flagsHuman civilization and technology has he avy(p) in a fast pace but are we happy ? Hikmet said that he feels life is more at rest . Nobody said that life has become happier . We found that technology which has been developed to sustain life easier has in event do life complicated and busier . He said that hostile the away , now he can travel from draw to home base in few minutes /hours but life has become busier . Communication has improved , technology has taken place in our lives but effective communication between people has decrease . We were all alarmed to face this fact that better technology doesn t mean happiness . So is technology , rather of liberating us , holding us backSome later segments of this work are basically similar to portions of The Moscow Symphony and Other Poems , an fantastic melodic reconstruction of German-Soviet fighting which in the startle font was in all likelihood based upon news stories that Hikmet authorized in prison . After allowance for the different languages , it may be argued that some passages would do credit to a So! viet wartime poet : the anxiety of the war s first year , the vast human drama of armies locked in rubbish , and the camaraderie of soldiers brought together in common struggle are evoked in brisken , telling linesThis novel in verse , written during one long prison reprove in the 1940s , reflects the stirred up and physical torments the poet experienced . more gritty than lyrical , it is strongly plainspoken But Selim was no Communist / He didn t even know what communism was .But the cops theme different / They situated Selim on the floor . And when Selim got up / he couldn t step on his feet / They laid Selim on the floor / And when Selim got up / he couldn t see Hikmet s piece of music is poetry under siege , and the blunt heroism of his characters makes them more Marxist ideals than believable human beings . The poetic element may not survive easily in translation , but the content and context make this a lastingly charming workWorks CitedDes Pres , Terrence . Poet ry and Politics : The pillow slip of Nazim Hikmet Parnassus : Poetry in Review 6 , no . 2 (1978 : 7-25Writer s Name pageboy 1 ...If you want to get a full essay, rate it on our website: BestEssayCheap.com

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