Prejudice in The Hurricane and Knife\'s Edge

In its simplest form, we think of prejudice in terms of race, culture, or religion. However, the word, prejudice has a much deeper signification and prevalence in the world. Prejudice, a preconceived opinion that is non based on reason, or actual experience means, pre-judgement. passim the twenty-first century, the prevalence of more than than overt forms of prejudice start diminished, and more subtle forms hit taken its place. Prejudice itself is flex and hard to resolve, but a myriad books, short stories, movies, articles, and websites train been dedicated to raising knowingness of various types of prejudice, and how it privy be dealt with. The Hurricane, by Norman Jewison, and, Knifes Edge, by Malorie Blackman, are 2 examples of texts associated with harmful topics.\nThroughout, The Hurricane, Jewison enforces simple techniques in analyzable context, in order to commune the underlying message. Non-diegetic sound plays a large part in the film, with it being employ to tally potency to scenes. Jewison uses live footage, and protest songs to connect with the audience, and demonstrate the boilers suit gravitas that the film holds. The bring out use of non-diegetic sound can be seen in the performance of Bob Dylans song, The Hurricane, that was written at the time of the incident. The language used in Bob Dylans song, is very emotive and blunt. An impoverished man in a living hell, When a pinch pulled him...Just like the time onward and the time before that, the use of emotive language in the song, makes the audience plea for Rubins innocence, and take his side end-to-end the movie. The overall aim of Jewison, through with(predicate) the implementation of diegetic sound, is to carry a meaning that would not meet been present just in the visuals of the film.\nUnlike, The Hurricane, Malorie Blackmans, Knifes Edge, is a touch more sinister and insidious. Its dark well-to-do shines upon the raw meaning of prejudice. The resistance ...