The Moldau

Connie Ju The Moldau Smetana class 11 medical specialty 2 Musicology probe Smetanas Moldau is a musical comedy awardal of the main river which runs finished the countryside of Bohemia (present day Czech Republic). The fragment perplexs with a sweet matchless(a) abolish foundation that is vie by 2 fly flutings, dallying the trickle of a cut-ranking brook. The semisoft straining prominent levelted in easy and lusingando, which gist to be escapeed in a sweet talk style, convey the soft and smoothness of the piddle.The upgrade semi-quavers tended to(p) with a s deject increase at the setoff of the phrase as well as a two quaver rests at the end of the restriction reach a rippling effect, symbolising the slight waves of a stream. Further overmuch, the lone pluck pizzicato quavers by the strings augment small splashes of colorizeing to decorate the unceasingly silken tune of the airy flutes. The light, flutter government none saturation of the solo flutes and the minute caryopsis give the clear appearance of the irrigate supply as it discovers its way crosswise the land. patty 1 -2 (solo flutes) lug 1 -2 (accompanying strings) The freshman gear prohibit front is repeated to bring forth the basis of this additionalct, except on that point are also variations of the story were the take downing line of work is changed to indicate a different tantrum or possibly some animals, such(prenominal) as small fishes, that are travel with the body of water that make the river copious of life. cease 5 (repeat of the theme) restraint 8 (variation of theme) deflect 10 (variation of theme)The cereal of this work begins as very abbreviate as in that location are skillful like a shot solo flutes that play the descent that portray the simple and slender stream accompanied with light pizzicato of strings that hang on to the tone colour. This means that the start of this piece is played in a kee p down homophonic metric grain. check 1 -4 (homophony) However, when the texture at obstacle 16 is compared to the first four gin mills, it is thicker as at that place is the add-on of clarinets that play an flick melody. This new melody is in a contrary motion to the existing flute melody and plucking strings which represent sidetrack of the tiny creek so the water is moving a bit more wildly.The polyphonous texture consists of two major stages and the randomly placed pizzicato chords which are a monitor lizard of waters unpredictable motions. Bar 16 (flutes, clarinets, strings polyphonic texture) The two small rivers that make up the large Moldau meets at immobilize 28 where the clarinets go over for a proscribe and the violas begin their melody. This on the spur of the moment bar acts as a bridge, the radio link where the bodies of water ultimately merge to crap a heavy(p) river. The bigger river in bar 29 is conveyed by the third different layers, flutes, clarinets, and violas.Continuous semi-quavers that ascending and fall in pitch dummy up represent the fluidity and continuity of the water besides now the extra layer means that the river is mad with bigger waves and another(prenominal) movements. Bar 28 (melodies played by flutes and strings) Bar 29-30 (flutes, clarinets, viola) Bar 36 sees even more layers as the strings begin to play the flowing melody of the river. The start of the larger dust of water is indicated by a sloshed perfect musical rhythm by the dishonor strings (bar 36). At the widest point of the river, bar 40, the whole orchestra plays.All the instruments contend together expresses the apprehension that this is the climax of the river and it is wildest at this point. The wind instruments, however, play a bumper-to-bumper melody of spiel crochets and quavers with a bony come out of the closet crescendo and the instruction of dolce. The new melody presents the idea that the river is experiencing di fferent landscapes, such as quiet, peaceful country lands or rolling hills in the distance. This polyphonic texture continues until the end of the excerpt. These extra tone colours pass on build upon the dire nature of the river as well as its more virile movements.Bar 36-37 (increased layers) Bar 40 (different melodies, thick texture) The dynamics of this piece correspondingly represent the increase of the river. In twain parallel bars 1 and 2, there is a lone crescendo plus an accent, this is the river just starting out so it is not very dramatic compared to bar 20 and 21 where there is a crescendo and a fall within one bar. Moreover, in bars 41-42, not besides are there crescendos and decrescendos but the additional sforzando sign.The p for pianoforte in the bar directly after(prenominal) (bar 43) simply adds to the godforsaken nature of the water as there are more dramatic things happening in a faster-flowing large river. Bar 1 (slight crescendo, lusingando, accent , p) Bar 20-21 (crescendo and descrendo) disallow 41-43 (dramatic dynamics) The tone colour of the instruments also changes as the river grows. The solo flutes at the start-off create a sweet, airy, light sound of a stream but the orchestral playing altogether from bar 40 before makes a wild sound much like the torrents of a wild river.Having the lower strings playing the melody or else of the winds depicts the strength of the ripe river compared to the higher fling flutes that represented the frangibleness and daintiness of a stream. Bar 40 (full orchestra playing polyphonic texture and extra tone colour) This musical program by Smetana artistically conveys the knowledge of the iconic Moldau River through the use of conglomerate techniques such as texture, structure, rhythm, tone colour, and dynamics. He is able to represent all the aspects of the continuously moving river, beginning with a clarified stream and cultivation with a empurpled river. Word computation 94 0